Sound

In this production, the sound team managed 22 wireless mic channels, as well as the off-stage orchestra pit and singers. As director and sound designer, I taught students the art of line-by-line mixing using scenes and the importance of communication while running ten In-Ear-Monitor mixes for the orchestra pit.

In Rabbit Hole, I worked closely with the director/composer to combine their original music with sound effects to enhance the production. In this thrust production, we used hidden speakers to create practical effects.

For Eurydice, I created an immersive experience by placing speakers in front of and behind the audience.